Brainworx.BX.Digital.VST.v1.09-AiR

This is a state-of-the-art digital mastering processor that provides you with a mastering class 11-band equalizer, M/S De-Esser, Mono-Maker and intelligent Bass- and Presence-Shifters, plus extra M/S features, such as Pan for M&S, and Stereo Width Control.



New in v1.09:
3 Modes (M/S mastering, M/S recording, L/R stereo) New and unique “SixPack” Master Section 11-band EQ (TDM, RTAS, VST, AU) incl. Shifter EQs up to 22 kHz
Built-in M/S De-Esser / dynamic EQ (20 Hz - 22 kHz) Precise Correlation- and Balance-Metering Individual Bypass and Link for every feature 4 Presets, Copy/Paste, Undo/Redo for all functions New Auto Solo and Auto Listen modes for TDM & Native Individual PAN for Mid and Side Signals Phase-corrected SOLO-Buttons for L/R/M/S signals Intelligent EQs: Bass-Shift & Presence-Shift Mono-Maker: makes bass frequencies mono only! Extensive metering, individual L/R and M/S LEDs Touch-sensitive Auto Solo: interactive with ICON for solo modes 7-band EQ perfectly matches the center section ICON-EQ Mousewheel control supported for MAC & PC

First Impressions

My first impression of BX Digital is that is a big plug-in in terms of the screen real-estate it takes up. I have two 19-inch LCD screens set at their native resolution of 1280 x 1024 pixels, and the BX Digital plug-in nearly fills one of them. It certainly wouldn't fit on any screen smaller than 1152 x 870 pixels.

Although the M&S support is a big selling point of BX Digital, all the versions other than the Scope implementation can also operate as conventional stereo processors thanks to the Modus switch, which determines whether you are in normal LR or M&S modes. A third setting puts BX Digital into M&S mode but disables the input M&S matrix, and is for signals that are already in M&S format.

After the M&S matrix, your signal encounters the BX1 EQ section. This is a five-band parametric EQ, with low and high bands that also offer shelving options. There are separate Input Gain controls for left and right channels, to help you balance out mixes that are not 100 percent centred, while individual 'M' and 'S' Output Gain controls allow you to control output balance and the stereo width of your mix. There are individual Link buttons all over the plug-in that you can choose to use where appropriate. The TDM version also features low- and high-cut filters.

After the EQ comes the BX2 section, which features Bass and Presence Shift controls. These are 'single knob' controls that boost preset frequencies whilst cutting an adjacent band. There is also an M&S de-esser with adjustable EQ and individual Solo button to monitor the side-chain, so you can hear what is being taken out. A Mono Maker control allows you to take low-frequency content out of the 'S' channel, turn it into mono and put it into the 'M' channel, to maintain the overall bass level while narrowing the stereo field in this region of the spectrum only. This feature is designed to assist in vinyl mastering, where large amounts of stereo low-frequency content are very difficult to cut.

Beneath the BX2 section is a graphical display that shows the effects of the frequency adjustments made in both the BX1 and BX2 sections. Unlike other EQ plug-ins, it's not possible to click and drag in the graphical display to change your EQ settings. Brainworx say that "mastering music is all about making cautious changes to your mix and when we tested BX Digital, working in the EQ panel often led us to making pretty big changes very fast. In the end we also wanted to give you the 'feel' of the hardware as authentically as possible, so we decided to make the EQ panel only a visual guide tool for what you do with the knobs of BX Digital." Personally, I feel this is a mistake. I find adjusting knobs with a mouse from the screen to be a counter-intuitive process. In addition, I would have liked the display to show different coloured lines for the BX1 and BX2 sections, so I could see what each section is doing individually, as well as the overall EQ shape.

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Softube - Trident A-Range VST RTAS v1.0.2 AiR

The Trident A-Range is a legendary piece of equipment. As only thirteen A-Range consoles were ever made, it remains a holy grail for sound engineers and producers around the world that hope to create works of art equal to those that were originally recorded on the A-Range — David Bowie's Ziggy Stardust, Queen, Elton John, the list goes on...



The A-Range plug-in from Softube is the first and only native and TDM plug-in that has been fully endorsed by original designer Malcolm Toft and Trident Audio.

The plug-in is a model of a channel on one of the original 13 Trident A-Range consoles. We chose to model channel 15 from the console at Sweet Silence Studio 'B' in Denmark, producer Flemming Rasmussen's favorite channel for recording lead vocals. Flemming also used it for the solo and rhythm guitars on Metallica's "Ride The Lightning" and "Master of Puppets", and Ritchie Blackmore's guitar on the Rainbow albums "Difficult to Cure" and "Bent out of Shape".

The A-Range channel features four bands of equalization and high and low pass filters. The sound of the bands is often referred to as "colorful" and "musical". When running a hot enough signal through the original unit and boosting the bands, it is possible to get it to distort, the result is a hairy and effective saturation that is just right in some situations, and just wrong in others!

In Short

* Created together with original designer Malcolm Toft
* Each and every component carefully modeled
* Same sweet sounding EQ filters that made the original legendary
* Interaction between the different bands, making this equalizer one of its kind
* Saturation control
* Very CPU friendly

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ApulSoft.apQualizr.VST.v1.4.0.Incl.Keygen-AiR

High precision equalizer/analyzer.
Create and edit filters on top of a high resolution analyzer display.
No compromise quality: 64 bits with oversampling.



Features:

64bit internal precision
2x and 4x oversampling
Unique filter stack feature to improve filter results
Output hard- and softclipping built in
Variable number of filterbands (up to 63)
Up to 40 dB gain per filter
Independent stereo & M/S filtering
High resolution FFT analyzer
Large analyzer display with zoom
Graphical editing of filters on top of the analyzer display

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FabFilter.Pro-Q.VST.RTAS.v1.0.2-AiR

FabFilter Pro-Q is an allround EQ plug-in for mixing and mastering, with up to 24 bands and a gorgeous interface for easy and precise editing.

Unrivalled sound and interface
An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best! As you can expect from FabFilter, Pro-Q gets you the highest possible sound quality and a gorgeous interface with unrivalled ease



Effortlessly sculpt your sound
FabFilter Pro-Q is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them and select and edit multiple bands at once. Try it yourself!

Mixing and mastering features
Pro-Q offers everything that a demanding engineer could wish for: top quality linear phase operation in addition to zero latency mode, Mid/Side processing, variable stereo placement of EQ bands and a built-in spectrum analyzer.

FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!

Key Features

* Highest possible sound quality
* Gorgeous interface with large display for easy and precise editing
* Up to 24 EQ bands
* Operates either in zero latency mode, or in linear phase mode with adjustable latency
* Filter shapes: Bell, High/Low Shelf, High/Low Cut with 6, 12, 24 and 48 dB/oct slopes
* Each band can operate on the stereo signals or on the left or right channels independently for per-channel EQ-ing
* Mid/side mode where you can EQ the mid and side signals separately
* Built-in real-time frequency analyzer with Pre- and Post-EQ modes
* Double-click text entry of parameter values
* Different display ranges: 6 dB range for mastering use, 12 dB, and 30 dB for mixing
* Stereo and mono plug-ins available
* MIDI Learn
* Undo/redo and A/B comparison
* Smart Parameter Interpolation
* Sample-accurate automation of all parameters
* Extensive help file with interactive help hints
* Available in RTAS, VST, VST 3 and AU for Mac OS X and Windows

Windows requirements

* Windows Vista/XP/2000/98/Me
* Pro Tools, VST 2/3 host

Mac OS X requirements

* OS X 10.4 or higher
* Pro Tools, AU or VST 2/3 host

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Elysia.mpressor.VST.RTAS.v1.0.2-AiR

The mpressor plugin is the as close as it can get emulation of our famous
creative compressor. Its all discrete circuitry and its special character
have been translated into software in all the painstaking details by the
specialists from brainworx. The result is an outstanding universal
compressor as well as a dynamics effect machine which will significantly
enhance the potentials of your host software. The mpressor is available in
RTAS, VST and VST3



The mpressor is a new tool for modern dynamics processing. On top of the tried and tested standard features, this creative compressor provides several special functions that produce fat and freaky sounds by employing a punchy control behavior, colorations full of character and extreme settings. Besides classic tracking applications, its favorite domains are groovy effect compression and creative sound design.

Each of both linkable channels offers a switchable Auto Fast function that allows very fast yet distortion-free compression without any artifacts. The Anti Log circuit generates explicit compression effects such as pumping and breathing. As the mpressor is a true feed forward design, it also allows negative ratios which result in the most extreme over-compression effects. The Niveau Filters can change the character of a track from subtle to striking with the possibility of a continuous frequency shift.

The Gain Reduction Limiter is a novel feature that lets the user choose the maximum amount of Gain Reduction he wants to draw from the unit at the twist of a knob. The switchable external sidechain inputs make for further flexibility in terms of compression behavior. The circuit design of the mpressor is completely based on discrete analog technology. The entire signal processing is implemented with single transistors in permanent class-A mode, and even the sidechain and power supply are composed of fully discrete circuits.

An oversized power transformer, capsuled conductive plastic potentiometers, internal temperature stabilizers for critical components as well as special current feedback amplifiers are part of the technical finesse. The combination of these elements aims at the maximum reachable signal quality and guarantees clean and powerful sound characteristics even when extreme settings are used.

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Abbey Road Plug-In Bundle

The Brilliance Pack provides authentic emulations of the EMI RS127 and RS135 EQ units, which were built in the early 1960s to supplement the EQ on the legendary REDD mixing consoles. These 'presence boxes' were used on countless seminal recordings at Abbey Road during the '60s, including almost every album by The Beatles.



The TG Mastering Pack provides authentic emulations of EQ and filter modules from the original EMI TG12410 transfer console. These consoles were custom-built for EMI's studios and have been the centrepiece of Abbey Road's mastering rooms for more than 30 years.

The TG12413 plug-in is an authentic emulation of the compressor / limiter from the legendary EMI TG12345 mixing console, which was used on many classic recordings such as The Beatles’ Abbey Road and Pink Floyd’s Dark Side of the Moon. The TG12345 consoles were custom-built for EMI's studios and were never sold commercially.

For more information on the individual plug-ins included in the bundles, please visit their product pages.

Terms of plug-in bundle:

- The bundle license is delivered automatically to the ilok account specified when an order is placed.
- The TDM Bundle is priced at $999 and the Native Bundle is priced at $699.
- The individual licenses supplied in the bundle are bound together. They cannot be separated from the bundle by the user.
- All bundle sales are final. No refunds can be given after delivery of the full product licenses, so please test compatibility with your system first using our free 10-day trials.
- The TDM bundle provides TG12413 Limiter, TG Mastering Pack and Brilliance Pack plug-ins in TDM/RTAS formats only.
- The Native bundle provides TG12413 Limiter, TG Mastering Pack and Brilliance Pack plug-ins in native formats only (RTAS, Audio Unit and VST).
- Native and TDM bundles also provide the TG12413 Limiter and TG Mastering Pack in AudioSuite format for offline processing in Pro Tools.

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Voxengo - GlissEQ 3.2

Voxengo GlissEQ version 3.2 update is now available for download. Voxengo GlissEQ is a dynamic parametric equalizer plug-in for professional audio and sound production applications, available in AudioUnit and VST plug-in formats, for Mac OS X and Windows computers.



This version implements the following changes:

Smoothed spectrum display implemented.
Mid/side spectrums are now shown correctly.
Spectrum's block size does not affect vertical spectrum's position now.
Secondary spectrum display implemented.
EQ highlight areas implemented.
The "No Multi-Channel Operation" global switch was added that fixes incompatibility with some non-VST2.3 compliant VST hosts.
Graphics drawing performance improved considerably.
Scroller positions are now preserved when the user interface closes.
The "Show All Channel Meters" routing switch added.
Default band's bandwidth and Dyn values can be now defined via band 1 in the first group.

The most interesting and unique feature GlissEQ offers you is its filters with dynamic behavior. Such “dynamic behavior” gives you a friendly, assisting equalization experience. Boosting up the highs will not create the fatiguing effect of overload; boosting up the lows will not make things sound mushy. Instead, you will get a pleasant transient-emphasizing effect bringing life and dimension to your tracks.

GlissEQ features:

Filters with dynamic behavior
Real-time spectrum analysis
Real-time spectrum import/export
Up to 32 filter bands
16 filter types
Harmonically-enhanced filter type
Narrow-band sweeping
EQ area highlight
Multi-channel processing
Internal channel routing
Channel grouping
Mid/side processing
Up to 8x oversampling
64-bit floating point processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages

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Cytomic The Glue VST v1.0.15-ASSiGN

The Glue is a high quality analog modeled plug-in based on a cross between an E and G series SSL 4000 buss compressor with some additional features. It uses the same high quality algorithms used in circuit simulation packages but optimised for real time use. It's quick and easy to use and has an uncluttered interface.



Additions include an ultra-fast attack time of up to 0.01mS and a Range knob which backs off the compression to give incredibly natural sounding attacks and limits the maximum amount of compression applied. Also included are external sidechain support and an adjustable sidechain highpass filter.

Summary:
Accurate analog model of an SSL 4000 buss compressor.
Ultra-fast attack time of up to 0.01 mS.
Range knob to naturally control the maximum compression applied.
Peak Clip to optionally hard limit transients.
DSP coded using C++ and assembler, Interface coded using the Juce framework (C++).
Serial number copy protection with generous license agreement.

Meters:
Gain reduction meter (dB) 0 to -20.
Peak clip LED.

Parameters:
Threshold (dB): 0 to -40.
Range (dB): 0 to Full (-oo).
Makeup (dB): 0 to 40.
Attack (mS): 0.01, 0.1, 0.3, 1, 3, 10, 30.
Ratio: 2, 4, 10.
Release (S): 0.1, 0.2, 0.4, 0.6, 0.8, 1.2, Auto.
Compression In (Switch): On, Off.
Mix (%): Dry 0 to Wet 100.
Peak Clip (Switch): On, Off.
Side-chain HP (Hz): Off, 20 to 2000.
External Side-chain In (Switch): On, Off.

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Blue Cats All Plug-ins Pack 05.2010

Blue Cat Audio Blue Cats All Plug-ins Pack VST 05 2010 x86 | 83.4 MB
This bundle contains the complete Blue Cat Audio commercial plug-ins collection. Get them all in this single bundle; Blue Cat’’s Digital Peak Meter Pro, Blue Cat’’s Dynamics, Blue Cat’’s FreqAnalyst Multi, Blue Cat’’s FreqAnalyst Multi, Blue Cat’’s Liny EQ, Blue Cat’’s Oscilloscope Multi, Blue Cat’’s Parametr”EQ, Blue Cat’’s Protector, Blue Cat’’s Protector, Blue Cat’’s Stereo Liny EQ, Blue Cat’’s Stereo Parametr”EQ, Blue Cat’’s Stereo Phaser, Blue Cat’’s StereoScope Multi, Blue Cat’’s StereoScope Pro, Blue Cat’’s Stereo Triple EQ, Blue Cat’’s Widening Liny EQ, Blue Cat’’s Widening Parametr”EQ, Blue Cat’’s Widening Triple EQ.


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Voxengo - Elephant 3.6

Voxengo Elephant update version 3.6 is now available for download. Voxengo Elephant is a mastering limiter plug-in for professional music production applications, available in AudioUnit and VST plug-in formats, for Mac OS X and Windows computers.



Version 3.6 update includes the following changes:

Real-time gain reduction and waveform graphs implemented.
Mid/side and side-chain routing presets now appear dimmed to reduce confusion.
Parameter automation on AU Mac OS X now shows real parameter values.
Preset "update" function implemented in the preset manager.
The "VST Function Sync" global switch was added that fixes crashes in some hosts (i.e. Tracktion).
"Density mode" implemented in level meters.
Occasional extreme CPU overloads eliminated at the expense of average increased CPU load.
"Pure+3" output metering mode's peak indicator is now 3 dB lower.
"Pure" and "Pure+3" metering modes are now known as "dBFS" and "dBFS+3" modes, respectively.
The "No Multi-Channel Operation" global switch was added that fixes incompatibility with some non-VST2.3 compliant VST hosts.
DC filter parameters are now specified for all channel groups to avoid phasing problems.
The "Show All Channel Meters" routing switch added.
Statistics "reset" function now resets statistics of all channels correctly.
A minor issue fixed in the dithering stage.

Elephant is a highly competitive plug-in for mastering applications: it features a variety of limiter modes that can be deeply customized, and a comprehensive set of level metering tools. Elephant's built-in linear-phase oversampling is a new standard in quality peak limiting and loudness maximization. Elephant limiter can be used for mixing and mastering of both stereo and multi-channel music and sound material, at any standard sample rate.

Elephant features:

Transparent signal limiting action
Optional release stage
Multi-channel processing
Up to 8x linear-phase oversampling
Undo/redo history
22-millisecond processing latency
10 predefined limiter modes
Noise-shaped bit-depth converter
Internal channel routing
64-bit floating point processing
A/B comparisons
Limiter mode editor
DC offset removal filter
Channel grouping
Preset manager
Contextual hint messages

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Sonalksis Mastering Bundle VST 1.0 Repacked

The Sonalksis Mastering Suite consists of a select range of processors providing an intuitive interface and an unsurpassed caliber of audio processing for Mastering Engineers, Producers, and other industry professionals who cannot compromise quality and reliability in their work.



The Sonalksis Mastering Suite consists of a select range of plug-ins for Mastering Engineers, Producers and other Industry Professionals:
MultiLimit - Multiband Mastering Limiter
A superior processor for the most demanding mastering environment, with 5 independent frequency bands separated by linear phase crossovers providing eq and dynamics functionality, proprietary true analogue quality clip/smoothing, program maximizing limiter, dither, extensive frequency analysis features and K-metering.
MaxLimit - Maximizing Mastering Limiter
A program maximizing limiter with a unique true analogue quality clip/smoothing option, K-metering and dither, all within a straightforward and intuitive interface.
StereoTools - Stereo Imaging Processor
A complete stereo imaging, metering and manipulation tool - with detailed visual frequency, phase/positioning feedback and K-metering to aid set up and monitoring.
Ultimate-D - Ultimate Dithering
An end-chain mastering tool providing 'dither' for digital resolution enhancement. The processor uses advanced proprietary processing techniques to ensure unparalleled resolution after quantization.

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NomadFactory.Blue.Tubes.Effects.Pack.VST.RTAS.v3.2-AiR

The Blue Dynamics Pack is a collection of 6 plug-ins processors for PC and Mac OSX. Designed to improve the quality of digital sound recordings. This bundle recreates the warm sound qualities of classic dynamic analog hardware. The sound quality of Blue Dynamics pack is nothing short of amazing. Yet all 6 plug-ins provide a simple and functional “vintage-style” interface, as well as low CPU consumption for lightening-fast processing.



Designed by musicians for musicians.

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Softube.Valley.People.Dyna-mite.VST.RTAS.v1.0.1-AiR

Squash drums, get a snappy baseline, enhance track dynamics, duck, gate, key or de-ess – the Valley People Dyna-mite is a swiss army knife limiter/expander design with unique character that inspires to new sounds!. The Valley People Dyna-mite was designed in the 80’s and has become a secret weapon for some. For others, it’s still a hidden treasure just waiting to be discovered. It features a limit mode, an expander mode, a gate mode, a de-esser mode and on top of that, two sidechain modes that let you duck or follow a track. All the options breathe of the Dyna-mite’s very special vibe and flavor. Nowadays, the Dyna-mite has a reputation not only as a problem solver but also as a creative tool that can really influence your sound in a unique way. It stands out from other solutions by being a tech-driven innovative design which has resulted in several creations, like the Valley People proprietary VCA and the Anticipatory Release Computation, both of which play a big part in the sound of the Dyna-mite.



Features:

* Limiting: Peak and average limiting, incl. negative ratio (-20:1) limiting and detector HF filtering (for De-Essing purposes).
* Expanding: Hard or soft with extreme gate settings and detector HF filtering.
* Ducking or Keying modes with external side chain (where available).
* Threshold knob with auto make-up gain.
* Release ranging from 0.05 to 5 sec/20 dB with Anticipatory Release Computation (ARC) to reduce pumping.
* Output volume with accurately modeled output distortion and clip LED.
* Innovative Range knob that controls maximum amount of expansion or limiting.
* Built-in interactive guide that displays current settings and active mode.

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Toontrack.EZmix.VST.v1.0-ASSiGN

For all the track and songwriters with tight deadlines and a mobile work situation out there, Toontrack, in collaboration with DSP developers par excellance Overloud, has developed EZmix. EZmix is a simple (EZ), yet powerful, mixing tool that gives you access to a huge array of mix presets for the whole gamut of mixing needs.



Whether you need to mix drums, vocals, guitars, bass or keyboards this is your tool. Simply connect EZmix to a channel strip in your sequencer like you would any plug-in, pick a preset for the instrument or sound on that strip. Done. For demo purposes or in full on production EZmix will cut your studio time, speed up and enhance your creative process from the initial hook to the final track.

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